In her new show, A Big Suicide, artist Shai-Lee Horodi juggles three balls with nothing more then two. Exhibited with that are a tabletop kinetic monument for an anonymous soldier and a non-living bird which roams the gallery space. A fence protects the viewers from the south wall while the north wall offers drawings. There is a dead movie and there is a video game.The show’s organizing principle is fear. Time seams imprisoned inside a loop shaped like the lips of a viewer who just began or just finished saying “tomorrow”.
Knowing not how to make a decision on the image that should be on the page I often use my palm as a stencil. Other modes of non decision include fast drawing and forcing a face upon a random scribbled line.