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1969 |
Born in Leicester, England |
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Lives and works in Berlin |
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2008 |
Tramway, Glasgow
Palais de Tokyo + Musee d'Art Moderne, Paris
‘Jonathan Monk, Classified Football Results’, Jan Mot, Brussels, Belgium
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2006 |
Yesterday Today Tomorrow etc, Kunstverein Hannover, Hannover*
touring to Kunstmuseum St.Gallen and Kunsthalle Nurngerg, Nurnberg
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2005 |
Continuous Project Altered Daily, ICA London*
The Unrealise Realised and other realised projects,
Collection Lambert, Avignon, France
Family of Man, centre d'art contemporain, Domaine de Kerguehennec
If I could turn back time, if I could find a way, Meyer Riegger, Karlsruhe
In Place and Out of Place, Yvon Lambert, Paris
Florida Calls, The Moore Space, Miami, USA
Untitled & Unfinished, The British School at Rome, Rome.
Two Correlated Rotations, Ecole de Beax Art, Nantes, France
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2004 |
Ocean Wave …But Didn't Bas Jan Ader Drink Heineken, Künstlerhaus Bremen, Bremen*
Time/Explained/Lengthened/Suspended, Spruth Magers Projekte, Munich
The Unrealised Realised, Gio Marconi, Milano
The Unseen Unseen, Judin Belot, Zurich
sculptures neons drawings, Galleri Nicolai Wallner, Copenhagen
John Baldessari - Jonathan Monk, Galleri Nicolai Wallner, Copenhagen
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2003 |
Looking through a hole large enough for me to see you, but not large enough for you to see me,
La Salle de Bain, Lyon
Time and or Space, The Swiss Institute, New York
The Unrealised Realised realised in New York, Casey Kaplan, New York
Neither a borrower, nor a lender be, Arnolfini, Bristol, GB *
Projected Works, Lisson Gallery, London, GB
During the exhibition the gallery will be open, Galerie Jan Mot, Brüssel
small fires burning (after Ed Ruscha after Bruce Nauman after, Grazer Kunstverein, Graz
YES/NO/MAYBE, Programa Arts Centre, Mexico City
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2002 |
Roundabout, Present Tense, Art Gallery of Ontario, Toronto
1 + 1 = 2, Meyer Riegger Galerie, Karlsruhe
Today is almost as yesterday, Galerie Diana Stickter, Amsterdam
Galleri Nicolai Wallner, Kopenhagen
Today is a copy of yesterday, Dvir Gallery, Tel Aviv
Freelane, Casey Kaplan, New York
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2001 |
If you stare at a printed page for long enough it starts to move, Galerie Yvon Lambert, Paris
You'll get a bang out of this, Galerie Nicolai Wallner (mit Douglas Gordon)
our trip out west, CAC, Vilnius (mit Pierre Bismuth) (K)*
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2000 |
SOLLEWITTONEHUNDREDCUBESCANTZSLOWSLOSEASYNOW
FRONTTOBACKBACKTOFRONTONITSSIDEFOREVER,
Meyer Riegger Galerie, Karlsruhe
Gyrostasis, (mit Dave Allen), Workwebart, Köln
Something between something and something else, Sonia Rosso Gallery, Pordone (K)
Le Spot, Le Havre
Tea Party at 136 and other Works, Yvon Lambert, Paris
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1999 |
...and do you think Phileas Fogg (David Niven) really went around the world in eighty days in the film Around the World in 80 Days ? Casey Kaplan, New York
... & in Rumble Fish, does Rusty James (Matt Dillon)really ride his brother's motorbike to the ocean?
Jack Hanley, San Francisco
Meine Onkel, Meyer Riegger Galerie, Karlsruhe
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1998 |
Tea Party at 136 and other Works, Yvon Lambert, Paris
Some Time spend looking through a Window, Galerie Francesca Pia, Bern
In the search of Gregory Peck, Lisson Gallery, London
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1997 |
Casey Kaplan, New York
Anything by the Smiths, Centre D'Art Neuchatel, Neuchatel
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1996 |
Crash Bang Wallop, City Racing, London
The Time Between the 12th and 13th of January 1996, c/o Alte Gerhardsen, Oslo, Norway
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1995 |
The Agonie, The Ecstasy (and some other stuff),
Galleri Index, Stockholm
A Brush with Death, Tramway, Glasgow (K)
Lust for Life, Galleri Nicolai Wallner, Copenhagen
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1994 |
Almost Enough, Video Show, CCA, Glasgow
Old Peculiar, Galleri Nicolai Wallner, Copenhagen
My Record Collection, Bentinck St. Glasgow
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1992 |
On the Cheap, CCA, Glasgow
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2008 |
'Traces du sacré', Haus der Kunst, München
Die Wahrnehmung von Ideen führt zu neuen Ideen (#21), Kunstverein Düsseldorf
XV. Rohkunstbau "Drei Farben - Rot", Villa Kellermann, Potsdam
'LESS', Haubrokshows, Berlin
'Private/Corporate V', Daimler Contemporary, Berlin
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2005 |
General Ideas, CCA Wattis Institute for
Contemporary Arts, San Francisco
Burlesques Contemporains, Jeu de Paume, Paris*
Dedicated to you, but you weren't listening, The Power Plant, Toronto
Slide Show, The Baltimore Museum of Art, Baltimore, USA *
Saltuna...the Baltic Sea Experience, Rooseum, Malmo, Sweden
Logical Conclusion: 40 years of rule-base art, PaceWildenstein, New York
Baby Shower, Galleri Nicolai Wallner, Copenhagen
(Misunderstnadings) GAM Galeria de Arte Mexicano, Mexico City*
(IN)TENSION, Beaulieu Gallery, Gent, Belgium
Today Is Just A Copy Of Yesterday, Galerie Jan Mot, Brussel, Belgium
We Disagree, Andrew Kreps, New York
Press Play, Green on Red Gallery, Dublin
Un Art de Lecteurs, Universite Rennes, Rennes, France*
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2004 |
Fairwell to 14th Street, Casey Kaplan New York, USA
Small: The Object in FilmVideo and Slide
Installation, Whitney Museum of American Art, New York
Artists' Favourites, ICA, London*
Terminal 5, JFK International Airport, New York *
Formalismus. Moderne Kunst, heute, Kunstverien in Hamburg*
Em Jogo/On Side, CAV, Coimbra, Portugal*
io mi ricordo, Galleria S.A.L.E.S., Rome
Gegen dem Strich, Kunsthalle Baden Baden*
Cave Birds, Raffaella Cortese, Milan
Ce qui reste, Galerie du TNB, Rennes, France
Ulysses, Atelier Angarten, Vienna, Austria*
It's All an Illusion. A Sculpture Project, Migros Museum Zürich
Play List, Palais de Tokio, Paris*
What did you expect?, Galerie Jan Mot, Brüssel
Five Billion Years, The Swiss Institute, New York
Mute, Giuld & Greyshkul Gallery, New York
Arbeiten auf Papier/Works on Paper, Sprüht Magers
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2003 |
Adorno. Die Möglichkeit des Unmöglichen, Kunstverein Frankfurt, Frankfurt (K)
Awaiting a Call, CGAC, Santiago de Compostela*
In portraiture irrelevance is ugliness, at Museum Schloss Hardenberg, Velbert-Neviges
Perfect Timeless Repetition, c/o Atle Gerhardsen, Berlin
The Daimler Chrysler Collection, Museum für neue Kunst, Karlsruhe
The Distance between me and you, Lisson Gallery, London
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2002 |
Basics, Kunsthalle Bern, Bern, *
In between, Kunsthaus Langenthal
Tableau Vivants, Kunsthalle, Wien (K)
Photographier, Collection Lambert, Avignon
The Berlin Files, De Chiara Gallery, New York
Minimalism and after, Collection Daimler Chrysler Berlin
No Return. Sammlung Haubrok, Museum Abteiberg Mönchengladbach (K)
Kunst nach Kunst, Neues Museum Weserburg, Bremen
Sport in der zeitgenössischen Kunst, Kunsthalle Nürnberg
Drawing in Motion, Forum Stadtpark Graz
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2001 |
Nothing, CAC Vilnius, Lithuania, touring (K)
bb2, Berlin Biennale (K)
One for one, Circles no. 4, ZKM Karlsruhe
Moving Pictures. Photography and Film in Contemporary Art. 5th
International Photo Triennale Esslingen (K)
Camoshow, Museum Wiesbaden, Wiesbaden (K)
G3NY13, Casey Kaplan, New York.
Out from Under, Dvir Gallery, Tel Aviv
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2000 |
Drive, Govett-Brewster Art Gallery, New Plymouth, New Zealand (K)
Au-delà du spectacle, Centre Georges Pompidou, Paris (K)
I love Paris, Arnolfini, Bristol,
10-6, Casey Kaplan, New York,
Diary, Cornerhouse, Manchester
Rendez-vous 1 & 2, Collection Lambert-Musee d'art Contemporain, Avignon, France (K)
The sky is the limit, Taippei Bienale, Taippei Fine Arts Museum, Taiwan (K)
Transfert, the 10th Swiss Sculptur Projekt, Biel/Bienne (K)
Sentimental, Galerie Yvon Lambert, Paris (K)
A shot in the head, Lisson Gallery, London.
Urban Hymns, Luckman Gallery, Los Angeles
Lisson Gallery in Covent Garden, London; England
For those about to rock, Galerie der Stadt Schwaz (K)
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1999 |
Grand Opening Show, Nicolai Wallner, Copenhagen
Landscape Memories, Rosamund Felsen, Los Angeles
Lisson Gallery Artists, Chac-Mool, Los Angeles
Bildung, Grazer Kunstverein (K)
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1998 |
Le Printemps de Cahor. John Armleder, Angela Bulloch, Pierre Joseph, Jonathan Monk, Studio d'art, Le Havre
Work in progress and or finished, Übermain, LA, USA
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1997 |
What is a guy from Leiceister, a Swedish girl, a family father and a gay couple doing on a deserted island between Denmark and Sweden? (curated by Jacob Fabricius), Copenhagen
It alwaysjumps back and finds a way, De Apple Foundation, Amsterdam
Des Histoires en Formes, Magasin, Grenoble
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1996 |
Host, OB projects, Amsterdam
Insane, Stupid, Phat, Fuct, Pervert, Concrete Skates, Glasgow
Transmission, Globe, Copenhagen
Ojective Lune, Centre d'art Contemporain Neuchatel
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1995 |
Ideal Standard Summertime, Lisson Gallery, London
Gang Warfare, Dallas and IAS London
Making Work, Salafadet, Copenhagen
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1994 |
Young Scottish Artists, Overgarten, Copenhagen
On Line, Galleri Nicolai Wallner, Copenhagen
Art Unlimited, CCA, Glasgow, touring Manchester, Leeds, London
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1993 |
Instructions for Liam Gillick, Gio Marconi Gallery, Milan (K)
November TV, Ester Schipper Galerie, Köln
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1995 |
Lili Badawi, Bloody Hell, Art-Land, (vol 1)
Judith Finlay, Almost Enough, Flash Art, (no. 81)
Philip Sanderson, Ideal Standart Summertime, Art Monthly, (no. 189)
Artist Pages, Index, (3-4, 95)
Steffan Boije af Gennäs, Lust For Life, Material, (no. 27)
David Perreau, Stroboscopes, Documents on Art, (no.27)
Ross Sinclair, Getting Closer To Failure, B.E., (no.2)
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1997 |
Lars Mondin, Jonathan Monk, Magasin Schäfer, No.8, Denmark
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1998 |
David Perreau, translation, L-S Torgoff,
Jonathan Monk l'imitateur Chugalug the Beer, Don't Swallow the Rules,
Art Press, Paris, June, pp. 26-30
Evelyne Jouanno, Jonathan Monk, Cote Rué - Yvon Lambert, Flash Art, October, p.130
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1999 |
Dave Beech, Jonathan Monk, Art Monthly No 222, London, January, p,32
Barbara Kšnches, Drei Onkel locken vor den Spiegel, Badische Neuste Nachrichten, Germany, 16 Juni 1999
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2000 |
Sabine B. Vogel, For those about to rock, Kunst-Bulletin, Lucern, Switzerland, April
William Packer, Screening Time, Financial Times, May 6
Stephanie Moisdon Trembley, Jonathan Monk, Art Press International, Paris, pp. 78-79,
July-August
Stephanie Moisdon Trembley, Jonathan Monk, Galerie Yvon Lambert, Art Press, no.259,
July-August
Raimar Stange, Jonathan, der Libero, Kunst Bulletin, (CH), pp.10-15, Sept. 00
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2001 |
Peter Herbstreuth, Berlin Biennale in Kunst-Werke, Kunst-Bulletin, June, p. 39
Alex Lapp, Berlin Biennale 2, Art Monthly, June 01, pp. 8-11
Dominic Eichler, Berlin Biennale 2, Frieze, Issue 61, p. 103
Saskia Bos, Avantgarde zum Anfassen. In: Elle May 2001, p.100
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2002 |
Ken Johnson, Art In Review, The New York Times, January 18 02
Michael Wilson, Jonathan Monk, Artforum, February 02 Massimiliano Gioni, New York Cut Up: Art Fragments from the Big Apple ('Live In Your Head'), Flash Art, March-April 2002
Beaux Art, Jonathan Monk, édition 2002
Chris Hammonds, Dave Allen, Douglas Gordon & Jonathan Monk, in: "Air Guitar: Art
Reconsidering Rock Music", Milton Keynes Gallery, curated by Emma Mahony, (cat.)Uta Grosenick; Burkhard Riemschneider, Art Now, 137 Artists at the Rise of the New Millennium, Taschen, ISBN 3-8228-1444-X Sara Harrison, Art Guitar: Art Reconsidering Rock Music, Art Monthly, No. 259, September 2002, p. 35-37
Craig Richardson, Greyscale/CMYK, Art Monthly, Oct. 2002, No. 260, p. 39-40
Raimar Stange, One of you among you with you, Modern Painters, Winter 2002, p. 66-69
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2003 |
Spot the celebrity, Art Review, Feb 2003 p.36.
Martin Coomer, Jonathan Monk, Time Out, London, 19 Feb 2003.
Pierre Bismuth and Jonathan Monk, The Guardian, 24 Feb 2003,p.18
Jonathan Monk/Pierre Bismuth, Art Monthly, March 2003, p.21 Helen Smithson, Art of nostalgia, Wood & Vale Express, Highbury & Islington Express, Hampstead & Highgate Express, 7th Feb 03 Jonathan Monk: Neither a borrower, nor a lender be, Arnolfini, Bristol, Art Review, March 03
Martin Herbert, Jonathan Monk, Frieze, issue 75, May 03, p.94 Charles Darwent, The best clearance that I've seen for quite some time, Independent on Sunday, 13th July 03
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