• MARIANNE BERENHAUT

    MARIANNE BERENHAUT

    Marianne Berenhaut born 1934, Brussels, Belgium. Lives and works in Brussels and London.
    Berenhaut has been gathering, curating, transforming objects found in her immediate surroundings creating powerful yet delicate sculptures and installations. Her work addresses longing, trauma, absence, and memory. Through her vast body of work, spanning through 60 years, Marianne Berenhaut has created a unique visual language.

    Having graduated the Académie du Midi and Atelier de Moeschal in the sixties, she had various solo exhibitions in different art spaces and institutions: La Maison des Femmes (Brussels), Island (Brussels), Belgium Jewish Museum (Brussels), MAC’s Grand Hornu (Belgium) as well as in Isy Brachot Gallery (Brussels), and Nadja Vilenne Gallery (Liège). She has been part of several group exhibitions as in Maison Grégoire (Brussels), Gladstone Gallery (Brussels), Bureau des réalités (Brussels) and Carl Freedman Gallery (Margate, UK). In 2020 she had a solo exhibition at M HKA (Museum of Contemporary Art Antwerp) and a retrospective at CIAP (Genk) in 2021.
    • Marianne Berenhaut, J’ai mal quelque part, 2012
      Marianne Berenhaut, J’ai mal quelque part, 2012
    • Marianne Berenhaut, Déshabillez-moi, 2006
      Marianne Berenhaut, Déshabillez-moi, 2006
    • Marianne Berenhaut, A l'abri du vent, 2011
      Marianne Berenhaut, A l'abri du vent, 2011
    • Marianne Berenhaut, Abonné absent, 2006
      Marianne Berenhaut, Abonné absent, 2006
    • Marianne Berenhaut, Votre nom ? (Vie privée series), 1995
      Marianne Berenhaut, Votre nom ? (Vie privée series), 1995
  • PAVEL WOLBERG

    PAVEL WOLBERG

    Pavel Wolberg born 1966, Leningrad, USSR. Lives and works in Tel Aviv, Israel.
    Photo-journalist Pavel Wolberg creates images which capture the life and culture of Israeli society from a ‘wide-angle’ view: children, adults, soldiers, settlers, punk rockers, religious Jews, political occurrences and cultural traditions are all a part of Wolberg’s body of work exposed to the public eye. Given that his oeuvre is shown in the framework of two different contexts – art venues and journalistic publications - questions of defining the boundaries between the two are prominent in Wolberg’s awareness, as he often expresses his thoughts of where journalism ends and art begins, or vice versa. To Wolberg, the conflicting political situation in Israel acts as defining material for him as a photographer.
     
    • Pavel Wolberg, NINA, 2019
      Pavel Wolberg, NINA, 2019
    • Pavel Wolberg, Nabi Saleh, 2010
      Pavel Wolberg, Nabi Saleh, 2010
    • Pavel Wolberg, Kosovo old man miror, 2009
      Pavel Wolberg, Kosovo old man miror, 2009
    • Pavel Wolberg, Kiyv, 2014
      Pavel Wolberg, Kiyv, 2014
    • Pavel Wolberg, Kiyv, 2014
      Pavel Wolberg, Kiyv, 2014
    • Pavel Wolberg, Donitsk region east Ukraine, 2017
      Pavel Wolberg, Donitsk region east Ukraine, 2017
    • Pavel Wolberg, Jerusalem, 2017
      Pavel Wolberg, Jerusalem, 2017
    • Pavel Wolberg, Hebron, 2010
      Pavel Wolberg, Hebron, 2010
    • Pavel Wolberg, Berlin , 2010
      Pavel Wolberg, Berlin , 2010
    • Pavel Wolberg, Abkhazia, 2015
      Pavel Wolberg, Abkhazia, 2015
    • Pavel Wolberg, 1974, 1974
      Pavel Wolberg, 1974, 1974
  • J'ai entendu dire

     

    MAR 7, 2024 – APR 20, 2024

     

    Marianne Berenhaut, Pavel Wolberg